Legendary Black Sabbath guitarist Tony Iommi has been the backbone of what is often considered the first true heavy metal band. With a career spanning over five decades, Iommi’s down-tuned guitar playing and riff mastery have defined the genre. Choosing the best of Black Sabbath’s albums is no easy feat, given the profound influence they’ve had on rock music. However, when asked about it, Iommi has shown his preference for some of the band’s groundbreaking work.

Undoubtedly, “Paranoid,” the band’s second album released in 1970, usually takes a top spot. It features monumental tracks such as “War Pigs,” “Iron Man,” and of course, the eponymous track “Paranoid” that have become staples in rock music. The album not only showcases Iommi’s innovative guitar work but also captures the essence of Black Sabbath’s sound that would go on to inspire countless bands.

Another critical favorite is “Master of Reality,” released in 1971. This album saw Iommi further experiment with tuning and distortion, creating a heavier, more visceral sound. Songs like “Into the Void” and “Children of the Grave” are prime examples of his pioneering approach to heavy guitar riffs that became synonymous with heavy metal.

While less commercially successful than some of their other albums, “Sabbath Bloody Sabbath” from 1973 remains one of Iommi’s favorites due to its experimentation with progressive rock elements and complex arrangements. The title track and “A National Acrobat” showcase the band’s musical growth and Iommi’s versatile guitar-playing abilities.

Tony also holds a special place for their debut album “Black Sabbath,” released in 1970. The eponymous opening track is pointed out as the birthplace of doom metal — a genre characterized by darker themes and slower tempos which leaned heavily on Iommi’s ominous riffs.

When it comes to Tony Iommi choosing his favorite Black Sabbath albums, these are frequently mentioned due to their innovation, influential soundscape, and showcasing his evolution as a guitarist. Though opinions may vary among fans and critics alike, it’s clear that these albums are cornerstones in the legacy of both Tony Iommi and Black Sabbath’s contributions to heavy metal.